LOUISE BROOKS
Updated 04-May-2020.
Mondo shtuff from around the internet, all about LOUISE BROOKS!
Louise Brooks (1906-1985) – Auteur – Ressources de la Bibliothèque nationale de France: Toutes les informations de la Bibliothèque Nationale de France sur : Louise Brooks (1906-1985)
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Louise Brooks – IMDb: Louise Brooks, Actress: Die Büchse der Pandora. Mary Louise Brooks, also known by her childhood name of Brooksie, was born in the midwestern town of Cherryvale, Kansas, on November 14, 1906. She began dancing at an early age with the Denishawn Dancers (which was how she left Kansas and went to New York) and then with George White’s Scandals before joining the Ziegfeld Follies, but became one of…
Louise Brooks: Looking for Lulu (1998) – IMDb: Directed by Hugh Munro Neely. With Louise Brooks, Shirley MacLaine, Dana Delany, Roddy McDowall. Documentary recounting the life story of Louise Brooks in 5 sections: “Lulu in Toe Shoes”; “Lulu in Hollywood”; “Lulu in Berlin”; “Lulu in Hell”; and “Resurrection”. Narrated by Shirley MacLaine and featuring numerous interviews with friends and relatives of the legendary star, it also contains excerpts from many of her films including her first on-screen appearance.
LOUISE BROOKS, PROUD STAR OF SILENT SCREEN, DEAT AT 78
The American Venus (1926): Louise Brooks discovered in Technicolor: There is no such thing as too many images of Louise Brooks. Even during her Hollywood years, she was more photographed than filmed – appearing in portraits in movie magazines more often than she di…
And yet more of the lost Louise Brooks film, The American Venus: The 1926 Frank Tuttle-directed film, The American Venus , is considered lost. The film was the second in which Louise Brooks had a role, th…
Lulu in Rochester: Louise Brooks and the cinema screen as a tabula rasa: Ironically enough, Louise Brooks’ real fame arrived many years after abandoning her acting career. Robert Farmer analyses the life, the films and the screen persona of an actress who was turned into an icon of modernity.
Pandora’s Box movie review & film summary (1928) | Roger Ebert: Louise Brooks regards us from the screen as if the screen were
THE GIRL IN THE BLACK HELMET: PROFILE of film star Louise Brooks, 73. She has lived in virtual isolation in Rochester, N.Y. since 1956. She made only 24 films, in a movie career that …
My botty best at summarizing from Wikipedia: Mary Louise Brooks was an American film actress and dancer during the 1920s and 1930s . she is regarded today as a Jazz Age icon and a flapper sex symbol due to her bob hairstyle a reclusive Brooks began writing articles about her film career . her insightful essays drew considerable acclaim . she struggled with alcoholism and suicidal tendencies . she published her memoir, Lulu in Hollywood, in 1982. three years later, she died of a heart attack at age 78. Rude was a talented pianist who played the latest Debussy and Ravel for Brooks began her entertainment career as a dancer . she joined the Denishawn School of Dancing and Related Arts at the age of 15 in 1922 . Brooks’ mother suggested that it must have been Louise a conflict between Brooks and St. Denis boiled over in spring 1924 . the troupe abruptly fired Brooks from the troupe . Brooks was 17 years old at the time of her dismissal . Brooks met movie star Charlie Chaplin at a cocktail party given by Wanger . Chaplin and Brooks had a two-month affair that summer while Chaplin was married to Lita Grey . soon, she was playing at the time, Brooks had an on-and-off affair with Walter Wanger, head of Paramount Pictures . Wanger tried to persuade her to take the MGM contract to avoid rumors that she only much of this film was shot on location in the jacumba mountains near the Mexican border . a hobo convinces Brooks to disguise herself as a young boy and escape the law by “riding the rails” Brooks’ interactions with her co-star Richard Arlen deteriorated . she clashed with director William Wellman whose risk-taking directing style nearly killed her . Brooks began filming the pre- Brooks had a brief sexual liaison with Lederer, who committed suicide . she refused to stay on at Paramount after being denied a promised raise . Brooks’ refusal to work for director G.W. Pabst put her on an unofficial blacklist . studio allegedly claimed her voice was unsuitable for sound pictures . another actress, Margaret Livingston, dub after their arrival in Weimar Germany, she starred in the 1929 silent film Pandora’s Box . Brooks’ performance in the film made her into a star . in looking for the right actress to play Lulu Brooks recalled that “when we made Pandora’s Box, Mr. Pabst was a man of 43” “i celebrated my twenty-second birthday with a beer party on a London street,” she said . everywhere I was treated with a kind of decency and respect unknown to me in Hollywood . on the final day of shooting Diary of a Lost Girl, Pabst counseled Brooks not to return to Hollywood paul pabst: brooks’ carefree approach to her career would end in dire poverty “exactly like Lulu’s” he says audiences and critics bewildered by her naturalistic acting style film critic: “Brooks became one of the most modern and effective of actors” she appeared in two films by Pabst, which made her an international star . “the bold, black-helmeted young girl becomes the Austrian director attributed Brooks’ acting success outside of the united states to her seemingly inherent or instinctive “European” sensibilities: “…the eminent Herr Pabst described it to me over a cocktail “she plays real women, and plays them marvelously,” says Belfarge . “the very mention of the place gives her a sensation of nausea,” he says . he refers to pabst’ “no major studio would hire [Louise Brooks] to make a film,” he says . “the pettiness of it, the dullness, the monotony, the stupidity—no, no, Brooks turned down Wellman’s offer in order to visit her then-lover George Preston Marshall . the coveted role instead went to Jean Harlow, who began her own rise to stardom largely as a result in 1937, Brooks obtained a bit part in the film King of Gamblers . unfortunately, after filming, her scenes were deleted . Brooks made two more films after that, including the 1938 western overland stage “Louise Brooks makes an appearance as a female attraction,” a new york-based paper says . the nation’s leading entertainment publication at the time also devotes little ink to her . she soon found herself un brooks realized during this time that “the only people who wanted to see me were men” she also realized she would likely “become a call girl” if she remained in Hollywood . her undesired “my own failure as a social creature” is a lifelong curse, says Brooks . she worked for a few wealthy men as clients . between 1948 and 1953, Brooks embarked upon a career as an impoverished Brooks spent years “drinking and escorting” while subsisting in obscurity and poverty . Angered by this ostracization, she attempted to write a tell- after destroying her autobiography for years, she continued to suffer from suicidal tendencies . this rediscovery led to a Louise Brooks film festival in 1957 and rehabilitated her reputation . Brooks had been a heavy drinker since the age of 14 . she began writing perceptive essays on cinema in film magazines . a collection of her writings, published in 1982, was heralded as ” in 1979, she was profiled by the film writer Kenneth Tynan in his essay “the Girl in the Black Helmet” in 1982, writer Tom Graves was allowed into Brooks’ small apartment for an interview in 1933, she married Chicago millionaire Deering Davis . she abruptly left him in March 1934 after only five months of marriage . the couple officially divorced in 1938 . despite her two marriages, she never had children, referring to herself as “Barren Brooks” her many paramours had included a young William S. Paley, the founder of CBS . Brooks converted to she admitted to some lesbian dalliances, including a one-night stand with Greta Garbo . Brooks admitted to fostering speculation about her sexuality, but eschewing relationships . she despite all this, she considered herself neither lesbian nor bisexual: ‘i had a lot of fun writing Marion Davies’ Niece, leaving the lesbian theme in question marks. all my life it has been fun for me there is no such thing as bisexuality . ordinary people, although they may accommodate themselves, are one-sexed . “out of curiosity, I had two affairs with girls — they did nothing for me” in 1994 film Mixed Nuts, Liev Schreiber portrays a character with a strong resemblance to Ms. Brooks . more recently, in 2018, the PBS film The Chaper in her 2011 novel of supernatural horror, Ki Longfellow uses Brooks as an actual character in visions . Brooks appears as a central character in the 2012 novel The Chaperone by Laura Moriarty . in the strip began in the late 1920s and ran until 1966 . Brooks also inspired the erotic comic books of Valentina, by the late Guido Crepax . author’s self-titled 2014 album, “Lulu,” is a biographical portrait of Brooks . in 2011, Metallica released the double album Lulu with a Brooks-like mannequin on her key films survive, however, particularly Pandora’s Box and Diary of a Lost Girl . as of 2007, Miss Europe and The Show Off have also seen limited North American DVD release . her short film Windy Riley Goe Now We’re in the Air. PandorasBox Press. ISBN 978-0-692-87953-5.CS1 maint: ref=harv (link) Hutchinson, Pamela (2017). BFI Film Classics. British Film Institute.